My Latest, Echoes of the Fey: The Last Sacrament, Is Out Now

This blog has been pretty dead for awhile, and a big reason for that has been all the work I’ve been putting into my latest game with Woodsy Studio, Echoes of the Fey: The Last Sacrament.

The Last Sacrament is a follow up to Echoes of the Fey: The Fox’s Trail, which we released two years ago on PC and last year on PS4/Xbox One.  It’s a sequel of sorts, though we designed each installment in the series to be playable all on its own. You play as Sofya Rykov, a private detective in a fantasy (vaguely steampunk, without the Victorian elements) world of magic, Elves, and so on. The idea of blending detective and fantasy fiction is one I’ve wanted to play around with for awhile, and Echoes of the Fey finally gave me a good excuse. We’ve also deliberately tried to develop a fantasy world that is different from most, specifically trying to avoid the way fantasy typically embraces the bad gender/sexual politics of the real world when it doesn’t have to.  

In The Last Sacrament, Sofya is blackmailed into a dangerous job to steal the ingredients of a sacred religious rite from the powerful Krovakyn Church. But that’s not her only job. She’s also been hired to protect the Emperor’s daughter (who happens to be her former childhood sweetheart) from would-be assassins during a visit to the border.

The Last Sacrament is a much bigger game on a more complicated engine. A year and a half ago, we moved from Gamemaker Studio to Unreal Engine 4, which prompted us to (basically) remake all of our assets and environments in 3d. That’s been a lot of work! So has designing a tabletop RPG inspired mini-game, RiftRealms, to break up the visual novel-style sections. But the game is now done and out on Steam!

 

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Ludum Dare 40 Post-Mortem

I haven’t used this blog in a while, mostly because all my recent work has been for my Woodsy Studio projects. If you want to see what I’ve been up to, check out our latest games over there and definitely take a look at our Kickstarter for our next game, which we’ve had a hell of a time publicizing.

This weekend, however, I participated in my first Ludum Dare and, since it was a solo event, I figured I’d write up my experience here. Ludum Dare is a game jam-style event held (worldwide, with no specific location) three times a year. There are two branches of LD, the Compo and the Jam. The Compo is 48 hours and has far stricter rules–only one person per team, all content must be made in the 48 hour period–while the Jam is 72 hours long and allows for premade assets.

I chose to do the Compo for a couple reasons, not the least of which is that we’re busy with work on Echoes of the Fey and the 48 hour time limit was appealing. However, as someone who is, shall we say, a little lacking as an artist and very lacking as a musician, the need to create all my content was somewhat intimidating. I figured I would only go forward with it if I could come up with an idea from the theme quickly, because time would be lacking if I had to make my own textures, music, and sound effects.

The theme was “The more you have, the worse it gets” and I almost immediately know what to do: a collectable score-attack game where each pick up decreases the fidelity of the game itself. During Echoes of the Fey Episode 0, I helped optimize the game, made in UE4, to run (looking ugly) on a laptop with integrated graphics. I figured I could use some of those tricks to intentionally restrict resolution, texture quality, and frame rate no matter the system quality.

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Let’s Greenlight Echoes of the Fey: The Immolation!

Today we’re proud release our first official trailer for Echoes of the Fey Episode 0: The Immolation and launch our Greenlight campaign with the hopes of releasing on Steam and other PC platforms simultaneously!

wideskygraphicEpisode 0 is a short prologue to Echoes of the Fey that we will be releasing FOR FREE in early 2017. This installment will take our players back to before Sofya Rykov was a private investigator and before she could use magic. In Episode 0, Sofya is an officer in the Human Empire with a (relatively) cushy assignment, guarding non-essential Leshin prisoners in the fortified city of Onigrad. Of course, anyone who has played Episode 1 or read The Prophet’s Arm knows that Onigrad is hardly the safest place near the end of the world.

The Immolation is also the first installment of Echoes of the Fey we are developing in Unreal Engine 4, utilizing 3d backgrounds and dynamic camera angles for dialog sequences. Transitioning to UE4 has been a lot of work–especially since we’re working with all new environments!–but we’re sure that the work we’re doing on this short project will help us in the future. And we think that both fans of Echoes and new players will enjoy this introduction to Sofya, Heremon, and the world of Oraz.

If you want to see Echoes of the Fey Episode 0: The Immolation, click the link below and throw us a YES!

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Echoes of the Fey: The Fox’s Trail Releases Today!

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Today we pushed the big red “publish” button for Echoes of the Fey: The Fox’s Trail! (Disclaimer: the button was neither big nor red, it was more of a salmon color.)

If you haven’t seen any of my other posts about Echoes of the Fey, it is a visual novel that blends the mystery of detective fiction with a high fantasy world. Missing people! Elves! Conspiracies! Spells! A bleak post-war world! A bleak post-war world that also has the occasional sirin! (That’s a bird with the face of a person). Depending on how deep you get in the sidequests, it’s anywhere between 4-6 hours long, with a 2o+ song soundtrack and multiple ending variations depending on how you perform your investigation. The central mystery of the episode is wrapped up, but The Fox’s Trail kicks off a multi-part story that will be continued in future episodes.

Head on over to our itch.io storefront to purchase the game! You’ll get a Steam key when we release on that platform and a DRM free version now. Or check out the first two parts of the prequel novella over on the Woodsy Studio blog!

Echoes of the Fey – Vocal Theme

Yesterday, we debuted the vocal theme for Echoes of the Fey: The Fox’s Trail. Check it out!

This is the first time I’ve ever (co)written a song for a game, so I thought I’d write a bit about the thought process that went into it. It all starts way back at the beginning of development, when we were brainstorming about the aesthetic of the project. For some important story reasons (specifically the motivation behind the Human/Leshin war) there was always going to be a light steampunk element to the world. Traditional steampunk is a little played out/a bit of a cliche, so we aimed for a variation on the idea.

The fledgling machinery of our world isn’t powered by coal or literal steam, but magic drawn from Fey rifts. It’s clean energy. The world isn’t (visibly) polluted by its use. So I guess our aesthetic is Clean Steampunk? I don’t know, that sounds like a bad Skyrim mod so maybe I just need to come up with a new term.

ANYWAY, we aimed for a musical style that would reflect fantasy with an ethereal sci-fi touch. And we immediately seized upon Tangerine Dream’s soundtrack for Legend as an inspiration. Now, I realize this is a somewhat controversial work to cite. Legend was originally scored by Jerry Goldsmith, who was replaced by the studio near the very end of production on the film. Tangerine Dream was chosen to (bizarrely) appeal to a more youthful audience, because apparently the kids were way into new age electronica in 1986. A lot of people prefer the Jerry Goldsmith score and think the TD score (completely in only a few weeks to meet the deadline) is dissonant with the visuals of the film. Jenny (my co-writer, artist, and composer on this project) think those people are crazy.

A few months into production, we watched Legend again and I was struck by the over-the-top cheesy ballad that closes out the film.

Is it a good song? I’m not even sure. But it evokes a certain time in fantasy/action film making that is incredibly distinct. Legend wasn’t the first film or the last to end on a dreamy ballad that casually drops the title throughout. The Neverending Story and The Last Unicorn, for example. And if you widen the definition of the credit song ballad to take out the requirement of naming the title, you draw in Robin Hood: Prince of Thieves, The Princess Bride, and a ton of other films made from the mid 80s through the 90s.

Video games have their own version of this phenomenon. Final Fantasy games starting with VIII have prominently featured jpop ballads, and the Kingdom Hearts spinoffs have followed suit. Final Fantasy IX is probably the best one.

Final Fantasy XV is going to have a cover of Stand By Me by Florence and the Machine instead, if you want to know how bizarre things have gotten over at Square-Enix.

Thinking about these traditions gave me an idea: why couldn’t we do something like this for Echoes of the Fey? We were already shooting for a sound that invoked the fantasy films of the mid-80s. Why shouldn’t we have a vocal theme song.

This should have been a hell of an undertaking, since neither of us can sing. But we were lucky. The voice actress who plays Sofya in Echoes of the Fey, Amber Leigh, is also a singer. Once she said she was down to record the song, we knew we had to do it. Jenny wrote the composition and a version of the lyrics that, unfortunately, could have been seen as a spoiler for some of the events of The Fox’s Trail. That was fine for a song that played over the credits, but we decided that we wanted to use it as a promotional tool as well.

So I took a crack at songwriting. Let me tell you, it is not as easy as my previous experiences with penning lyrics: swapping words around in popular songs to make twitter jokes.

My first pass had the correct number of syllables on each line, but apparently it matters where you put the vowels (especially in a slow paced song) because I was trying to force Amber to hold some really terrible sounds.

So I did a second pass, and with Jenny’s help (and patience) we arrived on the lyrics we are using today. And we’re really happy with it! Our final product feels like a mix between the cheesy fantasy ballads that inspired us and the eerie Julee Cruise/Angelo Badalementi collaborations of the same era. Which is a fantastic result for me, since this project is all about mashing together fantasy and noire and making them kiss.

Hopefully you enjoy the song and I look forward to everyone playing the game that inspired it in (hopefully) a month!

Echoes of the Fey Greenlight Campaign and Update

I’m happy to announce that yesterday we officially launched the Steam Greenlight campaign for Echoes of the Fey: The Fox’s Trail. If you want to check that out (and vote yes!) the page is here. We’re hoping to be able to release later this summer simultaneously on all PC platforms, but Greenlight is a mysterious black box so fingers crossed!

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We touched on our progress in the Greenlight page, but I thought I’d give a bit of a wider picture the current state of development. Our engine (the framework we use to put in scenes, GUI elements, items, and choices) was completed–except for some minor polish–several months ago. We’re using GameMaker Studio for the first time, so this was a fairly significant step. GameMaker can work for pretty much anything 2d, but it’s not hardwired for a lot of text input/drawing. Once that was done, we were basically just been working on content–writing, art, music, and the such–for a while. Of course, that’s what people come to visual novels for.

As of today, the script is basically done. And almost all of it is in the game. You can play through from beginning to end and pretty much the only thing you’ll miss out on is the end of one side quest and the optional epilogue scene with a character of your choice. The soundtrack is finished except for some polish on a few older songs and a vocal song that will play over the credits. We’ve received but haven’t processed/put in all of the voice acting (that’s actually a very late step in development because when we do that we have to fork off a new branch of development for the mobile version, which will have significantly less voice work).

All the character portraits are complete and in-game. The only thing left to do on them is optional dyes for Sofya’s outfit, which will be rewards for getting gold pieces from side quests. Backgrounds and the overworld are mostly complete. One building that’s part of a side quest isn’t fully interactive yet, but that’s about it. Several CGs are complete and in the game, but there are more to do. And of course there’s testing! With over 100 choices in the game, testing will be something of an ordeal but (of course) we’re going to do it to make sure we launch as bug-free as possible.

I also promised a short story prequel and that’s started but I definitely need to get to work when I have the time (thanks, Overwatch). We’re hoping to be ready in the next month, then take a couple weeks to focus on marketing and release in the very near future! Of course I’m being completely vague about release dates because (especially with a two person team) things happen and I really don’t want to set a date then miss it.

In the meantime, follow development over at the new official twitter for Woodsy Studio, and just in case you missed it before, vote for us on Greenlight!

26 Gy is Now Released! And on Steam Greenlight!

January 26th is here, which means 26 Gy is finally ready for release!

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26 Gy is a classic RPG about dying of radiation poisoning. Rather than gain levels like in a typical RPG, you will spend the game losing levels. That’s right–as every minute passes, your character will lose a level and their stats will decrease at a corresponding rate. There’s only one way to mitigate this loss–find weapons, armor, and stat boosts in a procedurally-generated labyrinth.

Of course, this takes time and time is the one thing you don’t have. You have only seventy-two minutes (each minute representing an in-game hour) so you’ll have to choose whether to rush to the exit of each level or search for important stat-restoring items.

The game is purchasable now on itch.io HERE.

Vote on Steam Greenlight HERE.